July 13 – July 31, 2022 Anna Setola solo exhibition “Pattume” (”Rubbish”) is a project which collects poems written and illustrated by hand. It is my “waste sorting”, aimed at capturing bits of my daily life in a few pages – sketched, written or scribbled to bring order to my chaos. In this book, my hands seek to...
13 luglio – 31 luglio 2022 Mostra personale di Anna Setola “Pattume” è un progetto che raccoglie poesie illustrate e scritte a mano. Una “raccolta differenziata”, per riportare un pò del mio quotidiano in qualche pagina dipinta, scritta o scarabocchiata per mettere ordine al caos. In questo libro le mani vogliono essere un po’ ovunque: da ciò che...
May 7 – June 25, 2022 Vittorio Iavazzo solo exhibition Our biological cycle is part of nature as seasons are too, and it is dictated by nature itself throughout time passing, climate change and biodiversity that surrounds us. In this solo exhibition Vittorio Iavazzo narrates the cycle of seasons not from a merely climatic point...
7 maggio – 25 giugno 2022 Mostra personale di Vittorio Iavazzo Il ciclo della nostra vita, come le stagioni, è parte della natura ed è dettato da essa attraverso il variare del tempo, del clima e della biodiversità che ci circonda. In questa mostra Vittorio Iavazzo vuole narrare delle stagioni non dal punto di vista...
9 – 30 aprile 2022 Dipingere, per Elio Bona, è sempre stata un’urgenza, non relegata a una sola tecnica. L’acquerello, però, rappresenta la più utilizzata. Le sue caratteristiche lo rendono “difficile” perché non ammette ripensamenti, tuttavia questa sua qualità peculiare, invece di aumentarne il valore, è spesso assimilata al concetto riduttivo di esecuzione veloce, adatta...
January 15 – April 3, 2022 Diego Asperges solo exhibition The art exhibition “Worlds” materialises an outer vision instructed by elements both of reality and imagination. These elements sink their roots into important concempts such as sustainability and awareness of the current and evolutionary planet stages. “Worlds” revolves around this question: “Has the current physical Earth condition been ascribed to the extreme exploitation of the planet resources or to the cyclic nature of the Earth physical alteration as it happened in previous ages?”. The artist creates his art pieces pushed by this dilemma throughout a dreamlike journey, fully releasing his expressive talent. The doable scenario that crosses the timeline from past to future has multiple facets that turn into the multiple terrestrial and alien globes wisely depicted by Asperges. Enigmatic dumb monoliths rise above the scene, driving the spectator throughout an immersive path of the artist’ world. Planet systems seem to be sustained by a precarious balance, they fluctuate, they brush against each other, they light up reverberating their inner energy. These planet systems interchange with black holes which are gates used to cross space and time wall and to enter a parallel world in order to discover its peculiarities. ARTIST BIOGRAPHY Diego Asperges was...
15 gennaio – 3 aprile 2022 Mostra personale di Diego Asperges La mostra “Mondi” rende materica una visione cosmica dettata da elementi reali e di fantasia, che affondano le radici in un pensiero di sostenibilità e consapevolezza dello stato attuale ed evolutivo del nostro pianeta e si sviluppa attorno alla domanda: “L’attuale condizione fisica della Terra...
30 ottobre – 19 dicembre 2021 Mostra personale di Francesco Damiani Le sculture organiche di Francesco Damiani si protendono nello spazio creando un dialogo con lo spettatore. L’insieme di pieni e vuoti raccontano una storia, narrazioni lontane e vicine a ciascuno di noi. L’astrazione prende forma e supera se stessa, le linee divengono parole, le geometrie paragrafi riordinati in diari...
October 30 – December 19 2021 Francesco Damiani solo exhibition The organic sculptures of Francesco Damiani stretch out towards the space creating a dialogue with the spectator. The ensemble of full and empty volumes tells a story, it tells both intimate and far tales. The abstraction of the subject shapes itself and goes beyond itself, the lines become words, the geometry becomes paragraphs reorganised into personal diaries. The sculpture comes out of the idea of its static nature and heaviness to turn into light suspensions, made by modules that dovetail and reverberate each other, modifying themselves in time and space. The used materials are playful in their colours and textures as they are experienced by our sight and touch. They evoke our childhood. The artist uses a large amount of cellulose and rubber dough, the “light clay” employed by children in Orient to achieve familiarity with clay. Damiani uses secondary shades to represent light through its refraction. Colours, which are the result of a perceptual illusion, grab the contemporary world vibrations and they infuse its tremor. ...
